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Wolfgang Amadeus Mozart and "Mozartissimo"
Among
compositions you'll be listen to is the overture from the opera The Abduction
from Seraglio, commissioned by the Emperor Joseph II. Upon Mozart’s arrival
in Vienna (this after an incident between Mozart and the Count Arco which
ended with infamous "kick in the behind" - and the releasing
of Mozart from services to the Archbishop of Salzburg. Mozart was thus
left free to settle elsewhere). With The Abduction from Seraglio Mozart
created a new operatic form, transgressing old conventions and genres
of the opera seria. According to Goethe "All of our attempts to
free-up, to simplify the Opera were in vain on arrival of Mozart. The
Abduction from Seraglio has surpassed all". The overture lacks
the enclosure of an independent piece, and is based on Turkish military
music, characterised by oriental instruments such as the piccolo, triangle
and bass drum, which reflects the environment where the opera takes place.
The overture, duetino, aria of Figaro and aria of Zuzana are from the
Marriage of Figaro, based on Beaumarchais´s play, which Mozart
decided to set to music, in spite of the fact that the play was banned
in Austria at the time.
Mozart offered court composer and poet in the Emperor’s court A. Salieri
the opportunity to write the libretto on the Italian theme. Both had to
work on the project together in secret before the Emperor eventually allowed
the play to be performed in the opera form. Mozart composed The Marriage
of Figaro in half a year and the premiere took place on the 1st May 1786
in Vienna. The opera attained its greatest success, however, in December
that same year at the Estates Theatre in Prague.
After the Prague success of The Marriage of Figaro, Mozart decided to
compose an opera especially for the Prague public - and signed a contract
with the theatre director for one hundred ducats. Inspiration for the
opera was an old Spanish tale of the fallen Don Juan Tenori, who, at the
end of his life, is taken away by a demon in return for his debauchery
and sins. Mozart began composing Don Giovanni in Vienna in the
summer of 1787, and in the autumn returned to Prague, where the opera
was finished. Interestingly, the overture to the opera was finished last
of all, it is said on the eve before the premiere. Don Giovanni was greeted
with great success in Prague, and premiered in Vienna six month later.
The Viennese, however, began to warm to the opera only after repeated
performances. On the 1st of December 1787, Mozart was named court composer
to the Emperor in Vienna. His pay - eight hundred guilders - reveals how
little he was valued in the court (Mozart’s predecessor, Ch. W. Gluck,
received two thousand and his successor, L. A. Kozeluh, twelve hundred).
However, the cool acceptance of Don Giovanni in Vienna did little to affect
the overall stature of Mozart’s music: the duet of Zerlina and Giovanni
even charmed and inspired L. van Beethoven in various compositions on
this theme.
The opera The Magic Flute was commissioned by E. Schikaneder
based on his own libretto. The contents of the opera are often contradictory
and the creation of the opera itself is shrouded in mystery and the arcane
- Schikaneder drew from various sources. It is interesting that all those
that took part in the creation and realisation of the opera were members
of the Freemasons, and the music and text of The Magic Flute are interlaced
with Freemasons ideas, rituals and symbols, such as the number 3, which
plays an important role. Just as Mozart was finishing the first part of
The Magic Flute, Schikaneder changed the second part of the libretto in
reaction to a rival theatre that was running a folk play based on a similar
theme. Otherwise, the duet "Pa - Pa- Pa" was not part of the
original opera but was added at the expressed wish of Schikaneder. The
Magic Flute had its premiere on the 30th of September 1791 in the theatre
"Theater auf der Wieden", and first reactions were ones of surprise
and confusion. Later, however, The Magic Flute gained wide acceptance
and became one of the outstanding examples of German Romantic opera.
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